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iwombat - 2007-11-13 10:16:32
The eerie part is that the sounds sound exactly like fifties sci-fi music/ sound design, how did they know? how?
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Paula - 2007-11-13 11:05:00
Wait, I think this was a subplot on Gilligan's Island once--the Russian cosmonaut's cavity filling acted as a radio receiver.
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Philip - 2007-11-13 12:59:39
Laurie Partridge had trouble playing when her braces were picking up songs off the radio.
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grigorss - 2007-11-13 15:05:22
fifties sci-fi music/ sound design, how did they know?

I don't know how they knew -- but the early masters of that sort of thing, Louis and Bebe Barron -- who scored the first film to use an entirely electronic score, Forbidden Planet -- actually did so by creating specific circuits that behaved somewhat randomly and autonomously once they were engaged; and I guess that mimics the conditions found around the Outer Planets (where there's loads of RF bouncing around everywhere).
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Paula - 2007-11-13 15:10:27
Makes sense!
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iwombat - 2007-11-13 17:41:40
ah yes! stochastic synthesis!
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Bina - 2007-11-13 22:19:54
you guys are total nerds.
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